Showing posts with label Institutional Racism. Show all posts
Showing posts with label Institutional Racism. Show all posts

Friday, 12 February 2021

This Book is Anti-Racist - 20 Lessons on How to Wake Up, Take Action, and Do The Work

Written by Tiffany Jewell Illustrated by Aurélia Durand

Published by Frances Lincoln Children’s Books ISBN: 978-0-7112-4520-4



“It’s not enough to be non-racist – we must be ANTI-RACIST.”

Tiffany Jewell quotes the legendary but also controversial human rights activist Angela Davies in the promotion of a book that arrives during the global struggle for equality. Her words are aided by the vivid, ‘Saved By the Bell’ 90’s style graphic illustrations of Aurélia Durand, her colour palette is warm and perfectly suited to the latitudes of the citizens of the global majority.

Jewell provides action plans and activities to help a young person to navigate towards the world as it could be. Focusing on methods to help an individual make changes in themselves first and then influence others we get to see how enlightenment can surround one in a powerful bubble of agency building the confidence to challenge hegemony.

Is this complex subject too difficult for children to grasp you might ask? The author thinks not as it is in our earliest years that prejudiced ideas form and it is at this age that they need to be understood and somehow challenged. I think there is an intention to raise awareness in parents and grandparents alike and perhaps it is they who need to engage with this book for their own benefit too. It is a cliché but they will have to ‘Unlearn what they have learned’ to get to grips with the possibilities advocated within its pages. The book also contains useful notes on the text, a glossary and selected bibliography to support further understanding.

The information is presented as New Knowledge and backed up by the author’s personal journey to raise herself to a position of useful authority. She uses step by step practices to form a better world and to help people cope with the old one so we can all be in a better place together. Though a Biblical cliché ‘the truth shall set you free’ and I certainly hope that this is the reality for the many rather than the few if we are to make any progress on justice.

The intention of the author is also to challenge performative behaviour as this is a serious subject that requires one to commit to being anti-racist and to stick to this position! To do the work. We will have to employ a new vocabulary to describe a world that is actually anti-racist. It will be hard for some to accept that the world has actually been violently shaped by racists for the benefit of racists.

I have previously reviewed a picture book called ‘Greta and the Giants’ by Zoé Tucker and Zoe Persico that focused on helping young readers to appreciate how they can play a part in the climate crisis debate, and I feel that This Book Is Anti-Racist can do the same. It will help children to help their elders to understand the inequities of racial prejudice and the work necessary to help them to ‘change their minds.’ The answers to these problems cannot be found in one publication, but Tiffany Jewell makes a great start and should be commended for taking a stand.






Friday, 11 May 2018

My book review for Film Noir - An Introduction by Ian Brookes

As an avid fan of film noir for over 25 years I was more than pleased to read this book by Ian Brookes. I wanted to see if it could add to the canon of knowledge about this visual style, genre, movement or category, take your pick! Brookes covers all the familiar tropes and confirms much about the existing debates on this subject. However, I am glad to say that this book has added much to my understanding and also took me on some unexpected journeys. 

This book contains some sound scholarship and covers many of the contradictions of the film noir movement. There are broad explorations of the historical and cultural roots that began with six movies from the 1940’s, which impressed French critics so much after the 2nd World War. The book makes direct references to and analyses the work of the established critics and experts including Raymond Borde and Etienne Chaumeton, E. Ann Kaplan, Foster Hirsch and James Naremore. To me this indicates that all the bases have been covered. The author has realised that Film Noir is an ever-expanding universe with a multitude of opinions and explanations offered as to why a cowboy movie with Joan Crawford in it should be classed as noir.

What I found most fascinating was the social dimensions of the post war US society that these films were created to reflect or comment upon. This was where the book departs from the many texts that I’ve read.

The chapter devoted to the new science of sociology sought to address the changes in the social structures and disillusionment with the organs of the Government during and after WWII. It reflects upon the role of masculinity as it sought to re-establish itself despite economic challenges and feminist assertions.

The veteran problem – this was something that politicians and media were fully aware of but the sheer scale of 13 million plus service men returning from a life-altering world war was difficult to contain. In the narratives of the films quoted this is a problem that was tackled in many ways with the resolution always resting in the balm of domestic stability.

The extreme left became the main focus of paranoia during the late 40’s and 50’s. The House Un-American Activities Committee found the means to neuter and expel the creative critics of the social conditions in the US.Whilst Communism was seen as a world evil by the state some filmmakers were more concerned that the extreme right was actually more established and more dangerous while remaining overlooked. References to Racism and Anti-Semitism wasn’t overt but was at the heart of films like Crossfire (Edward Dmytryk,1947)

This is book is an important critical introduction to the most important film category that Hollywood had the good fortune to originate and return to time and time again no matter the format whether that be in black and white, colour, sci-fi, western or television series. Noir is here to stay.

Karl Foster Monday 26 March 2018